Though it took you some time to prep your material, and filled up your drive space with preview files and transcoded video files, I believe you are saving yourself time in the long run, especially during the exporting process, and particularly if there are changes that are required after you have already exported for the first time.įurthermore, you get fewer errors on export (error compiling movie, etc.) since much of the computer processing required for processing effects, especially GPU accelerated effects, have already been back loaded to your preview files. This takes longer, but results in higher quality video for your audience. If you are uploading to YouTube, Vimeo or other service, you can usually upload the original master. With this “master” file, you can create H.264 copies at high quality.
This may only take a few minutes compared to the better part of an hour or more. The ProRes codec export is much, much faster than waiting for another H.264 export since you are merely copying preview files into a new container rather than re processing and re encoding the entire contents of your timeline: you’re using smart rendering in this scenario. If you are cutting like I do, with ProRes, or any of the other smart rendering aware codecs, just make the fix-re render the preview-then export once more. What if you caught another mistake on a second watch down? That’s right, you have to sit through the entire exporting process once more. You are time-penalized by making the fix, then, on export, you need to process any effects and re encode the entire piece, usually to H.264.
Since you are not employing a smart rendering workflow, you are subject to wasting a lot of time. Let’s say you’re cutting H.264 that you acquired from your mobile phone or camcorder (as you are probably used to doing) instead of native or transcoded ProRes, DNxHD/HR or Cineform footage which you can make happen on ingest. Then the stress level starts going up, does it not? Found a mistake while watching down your show? Then you’ll be forced to “redo” that export. I think that many editors get themselves into a jam too often at deadline when changes are afoot and mistakes are uncovered when exporting. Now, click on “Converter” and then click on “Add Files” to upload the Premiere Pro file that you want to convert.I am so glad I employ the smart rendering workflow as often as possible when working in Premiere Pro, especially for the exporting process. Launch the installed UniConverter on your computer.
Here is a quick guide on how to save premiere pro to MP4 on this program. The best choice to save Premiere Pro to MP4 without running into errors is by using UniConverter software. How to Export Adobe Premiere Pro to MP4 using UniConverter In Toolbox, you will get a video compressor, GIF maker, and video metadata editor.
Enables you to edit videos and audios with its inbuilt control crop, split, zoom, rotate, apply effects, adjust brightness, and add effects.Easily convert video in over 150 different formats, like MP4, MOV, VOB, MKV, WMV, AVI, etc.1.10 Convert FLV to MP4 Using Handbrake.1.6 Convert YouTube to MP4/3GP for iPhone.